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What your peers are saying about the HM-1S
Quality reference monitors are essential to the outcome As Brant Biles, 5.1 Engineer and Producer for artists including Boys II Men and Bonnie Raitt, explains, "Mixing is the most subjective step towards the final released product in the professional recording process, especially with the advent of 5.1 mixing. Like the mix, the choice of reference monitor can make or break your final product." That why Biles has joined the elite corps of engineers using Meyer's HM-1S Self-Powered Studio Monitor. Ideal for surround sound, the HM-1S provides excellent fidelity, accurate bass reproduction and pinpoint imaging. The sophisticated phase-correction circuitry assures true point-source performance while minimizing the off-axis cancellations that plague many convential dual-concentric designs. Its extraordinary clarity reveals every nuance of the sound and facilitates clear, crisp productions. Listen to what else the industry is saying about the HM-1S: "I was blown away by the HM-1S. Not because of its compact size (although this certainly makes it easier to move from studio to studio), but because of its giant sound and fidelity." -- Brant Biles, 5.1 Mixing Engineer "...The speakers sound larger than they are. They 'image' like crazy, are immune from any kind of noise creeping in from all the grungy AC power out there and are easy to set up....Highly Recommended." -- Edd Forke, Pro Audio Review Magazine, May 1998 issue. "If wishes were horses, beggars would ride. So here I am with my Xmas wish list.... Meyer HM-1 Studio Nearfield monitor system...." -- Roger Nichols, EQ Magazine, December 1997 issue. "The HM-1S' are awesome! The ability to listen at low levels to the small HM-1S'- and still have true bass response- is amazing. Tell John Meyer he's a genius." -- Rob Eaton, Producer & Engineer August, 1998 |
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