Versatility

As a system purpose-built for high-quality digital audio, D-Mitri is highly adaptable, malleable, controllable, and extensible. It is a broad platform on which Meyer Sound can build audio show control, electroacoustic architecture, or any number of other networked audio applications.

D-Mitri's flexibility owes much to its ability to communicate fluently with the outside world. All of D-Mitri's devices feature Audio Video Bridging (AVB), a new networking standard built on Ethernet, but designed to reliably deliver high definition information in real time.

But AVB is not all there is to playing well with others, so, in addition to analog I/O, D-Mitri offers communication via CobraNet and AES/EBU. And to round out the communication capabilities, D-Mitri has ports for SMPTE, MIDI, RS-232, RS-422, and GPIO.

A D-Mitri LCS audio show control system builds upon the legendary automation capabilities of the Matrix3 and its CueStation software by improving its ability to run multiple cue lists simultaneously. Now consider the possibilities presented by Python scripting in combination with automation of any control point in the system using Open Sound Control (OSC) messages. Taken together, it is clear that the potential for purpose-specific programming of D-Mitri to perform extremely complex tasks is nearly limitless.

D-Mitri’s client/server architecture makes it possible to have multiple client controllers commanding the system simultaneously, yet another example of how easily D-Mitri can be fit to the particular needs of nearly any application. An extensive D-Mitri system for a theatrical production might be operated from a largeformat CueConsole control surface at the FOH position, while backstage a second operator can make adjustments at the same time using the much smaller Lemur multitouch controller.

D-Mitri is a broad platform on which Meyer Sound can build audio show control, electroacoustic architecture, or any number of other networked audio applications.

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