Predicting Meyer Sound Self-Powered Loudspeaker Performance
Technical Notes Volume 2, Number 1
1. Introduction:
This technical note presents issues that should be considered when
producing loudspeaker system performance predictions with commercially
available software programs such as EASE (Acoustic Design Ahnert, Germany)
and CADP2 (JBL). Although EASE is utilized for the discussion and examples
in this document, the topics presented are important when using any acoustical
prediction program. The most important topics to survey are the frequency
and angular resolutions used during the prediction process and the interaction
between multiple loudspeaker systems of different types. The methods
that are employed to create three-dimensional datasets from two-dimensional
datasets are also of concern. The following discussion presents comparative
examples of expected prediction errors, describes the conditions producing
these inaccuracies, and suggests possible solutions.
The EASE manual suggests that loudspeaker system measurements be made
every ten degrees using 1/1 octave bands of pink noise centered at 125,
250, 500, 1000, 2000, 4000 and 8000 Hz. The manual also recommends that
measurements should be taken in a reflection-free environment to ensure
accurate measurements. To satisfy these requirements, all of the loudspeaker
systems in the following examples were measured in an anechoic chamber
using a Fast Fourier Transform analyzer. The results were processed to
obtain the equivalent of octave-band, pink noise, sound pressure level
measurements obtained at one point in space (please refer to the appendix
for details on this method). When generating predictions, there are a
number of possible methods that may be employed to obtain different types
of information regarding loudspeaker systems and their interaction within
a given venue. In the context of this document, the primary focus is
on the accurate representation of array interaction and prediction. Therefore,
direct-field SPL predictions that do not include room effects will be
surveyed.
Two different prediction techniques, EASE and a high-resolution complex
data method, are utilized for comparisons made in this document. The
high-resolution method employs a 1/36th octave complex frequency
resolution (magnitude and phase) and 1-degree angular resolution dataset
to predict the octave-band, direct-field sound pressure level (SPL) distribution.
This data resolution conforms to the guidelines set forth in AES-5id-1997 "AES
information document for room acoustics and sound reinforcement systems" [1].
As described in AES-5id, calculations derived from a dataset consisting
of 1/36th octave 1-degree information will not deviate by
more than 1 dB on average from high-resolution measurement data. Therefore,
this high-resolution prediction method will be capable of serving as
a reference for comparisons made to low-resolution prediction programs.
2. Resolution concerns and array predictions:
The current version of EASE requires a frequency and angular resolution
of one point per octave and every ten degrees, respectively. This requirement
results in a seven-point frequency response (125 Hz to 8 kHz) at each
angle. EASE also assumes horizontal symmetry, which reduces the dataset
to a 19x19 matrix (0° to 180° horizontal by -90° to +90° vertical).
This dataset is capable of accurately representing the octave-band frequency
response and ten-degree polar response of a well-behaved loudspeaker
system. Please note that this octave-band SPL is a statistic representing
the response of a loudspeaker system when driven with an octave band
of pink noise and measured every ten degrees.
The ten-degree polar response only represents single measurement points
in space, and does not represent a spatial average (this is the way EASE
requires the data). As discussed in AES-5id, an angular resolution of
ten-degrees can result in errors of 10 dB on average. Results can be
misleading when this low-resolution dataset is used to predict the interaction
of multiple loudspeaker systems.
The per-frequency phase response and propagation delay of the loudspeaker
system is not included in the dataset. This simplification implies that
all frequencies have the same effective acoustical center and time origin,
and therefore a perfectly flat system phase response emanating from this
point. When a loudspeaker system is entered into EASE, it is located
within the room model relative to its effective acoustical center. The
only way to include propagation delay is to manually enter this information
when performing room predictions. All predictions that include complex
data derive phase information from the displacement of sources entered
in this manner.
EASE allows the end-user to select various options when producing direct-field
SPL predictions. One of these options, called "Interference," is
of utmost importance to our discussion. When the calculation of "Interference" is
not activated, EASE predicts the SPL distribution produced by the sum
of the individual magnitude responses of each loudspeaker, without phase
information. When "Interference" has been selected, EASE predicts
the SPL distribution produced by the complex summation of sources. This
predicted distribution retains linear phase information from the acoustic
center that is capable of showing cancellations and additions resulting
from the physical distance between acoustic sources. Our empirical tests
show that due to the simplifications made to the acoustic center and
phase characteristics of a given loudspeaker system, "Interference" should
be used at some frequencies and not at others to produce more accurate
predictions. Figures 1 through
3 are provided to further demonstrate the use of "Interference" in
EASE.
Figure 1 shows the
500 Hz octave-band EASE prediction of a three-speaker array without "Interference;" Figure
2 shows the same prediction considering "Interference." The
reader is asked to notice the differences between the two predictions.
The prediction including "Interference" shows a narrower coverage
pattern, due to the constructive and destructive interaction provided
by the additional phase information. Which one of these predictions is
more accurate?
Figure 3 shows the
500 Hz octave-band high-resolution prediction of the same three-loudspeaker
array. This prediction was obtained using the AES-5id compliant high-resolution
complex prediction method, as described in the appendix. In this case,
it is evident that the prediction without "Interference" produces
the more accurate results at this center frequency.
Figures 4 through 6 present
the same examples as Figures
1 through 3, now at a center frequency of 2 kHz. Figure
4 shows the EASE prediction of the three-loudspeaker array without "Interference", Figure
5 shows the same EASE prediction with "Interference",
and Figure 6 shows the
high-resolution prediction method. Comparing Figure 6 to Figures 4 and
5, it is evident that the prediction with "Interference" produces
the most accurate results at this center frequency in the near field.
However, the prediction that does not include "Interference" is
most accurate in the far field response of the array.
As this first set of Figures shows, "Interference" plays
a key role in the accuracy of an EASE prediction. "Interference" should
be carefully selected on a per-frequency and distance basis in order
to obtain accurate results. With atypical sources, however, the best
way to obtain accurate results is by making use of increased frequency
and angular resolutions.
3. Dissimilar sound sources:
In the previous discussion, an array of three identical loudspeakers
was used to discuss prediction accuracy. EASE produced comparable results
only because all of the loudspeakers in the prediction were the same.
EASE cannot correctly characterize the interaction of multiple loudspeakers
having different magnitude and phase characteristics.
Figures 7 and 8 illustrate
the problems encountered with dissimilar sources. Two different loudspeakers
were arrayed and predicted with EASE and with the high-resolution
method. The high-resolution method uses 1/36th octave
frequency response data that contains both the magnitude and phase responses
of each acoustic source on a per-frequency basis. Thus, the high-resolution
method takes both physical offsets and internal source phase responses
into account. As the two figures depict, the two prediction methods do
not provide similar results. The high-resolution method shows
the SPL distribution that can be measured and verified with a tool as
simple as an SPL meter. In this case, EASE does not predict an
SPL distribution that would match measurements, since it assumes a perfectly
linear phase response.
Figures 7 and 8 reveal an important limitation in the effective use
of low-resolution prediction programs. Predictions based upon two or
more dissimilar sources may be unreliable, since there is no phase information
contained in the loudspeaker system datasets. The internal source phase
responses must be taken into account to accurately predict the total
system response. It is suggested that only identical loudspeakers be
used when producing predictions in low-resolution prediction programs
that do not include loudspeaker system phase information.
4. Interpolation:
Another concern with using EASE is the ability to create a three-dimensional
dataset from only the horizontal and vertical polar responses of a given
loudspeaker system. In order to do this, EASE utilizes an elliptical
interpolation scheme. For well-behaved loudspeaker systems that exhibit
a true acoustical center across their operating bandwidth1,
this method is a reasonable approximation.
1The UPA-1P was used
in this example. Its exceptional acoustic center properties are the subject
of a pending patent.
Figure 9 shows the
amount of error that may be expected when using this interpolation scheme
with a well-behaved loudspeaker system. A sample loudspeaker system was
measured on a 40-degree diagonal off the vertical axis. At 500 Hz, the
maximum error from a direct measurement compared to the interpolated
data is 3.2 dB. At 2 kHz, the maximum error increased to 9.5 dB. Both
of these maximum error values occur behind the loudspeaker system. In
the front hemisphere of the loudspeaker system, which is most important
in the prediction process, maximum errors are reduced to 1.5 dB at 500
Hz and 2 dB at 2.1 kHz.
This interpolation error is an important error to characterize, since
it is one of the primary sources of error in all of the measured loudspeaker
system catalogs available for EASE. This error places a limitation on
the expected accuracy of all EASE-based predictions. It is suggested
that this source of error be kept in mind when assessing the accuracy
of predictions.
5. Conclusion - Low-resolution loudspeaker system data
Despite our reservations based upon these issues, Meyer Sound has supplied
low-resolution data for most of the Self-Powered Concert and UltraSeries
loudspeaker systems. The primary reason for supplying this information
is to allow experienced consultants and contractors to present predictions
of Meyer Sound Loudspeakers in comparison to other manufacturers' products.
Meyer Sound does not advocate the use of low-resolution prediction methods
without a thorough understanding of their limitations and an in-depth
knowledge of electroacoustics and room acoustics. The examples and figures
discussed do not fully encapsulate all of the issues regarding error,
but are intended to be a reference for establishing the accuracy of array
prediction results.
All of Meyer Sound's self-powered loudspeaker systems are phase corrected,
which means that they will work well within the simplified phase capabilities
of low-resolution prediction programs. Care should be taken when using
a non-phase corrected product in low-resolution prediction programs,
since the differences in acoustic center on a per-frequency basis will
produce inaccurate array predictions.
The loudspeaker systems that we have included for prediction in low-resolution
prediction programs are acoustically well behaved. Meyer Sound has gone
to great lengths to make these low-resolution datasets as accurate as
possible. Our own measurements of other loudspeaker system manufacturers'
products show that the low-resolution datasets released by these manufacturers
are not representative of their products' performance. Care should be
taken when using loudspeaker system data from discrepant sources.
A number of our current production loudspeaker systems are not included
in this initial release of data. This is primarily due to the fact that
the angular and frequency resolutions are too coarse. For example, the
Sound BeamTM (SB-1) is so high in Q that the angular resolution
of low-resolution prediction programs cannot represent the loudspeakers'
response at all. As low-resolution prediction programs continue to advance
in terms of resolution and prediction accuracy, we will reevaluate these
issues and include those loudspeaker systems capable of being represented.
APPENDIX
This appendix describes, in detail, the high-resolution complex prediction
method used in this document as a comparative reference with EASE predictions.
The details of the data acquisition and measurement system utilized are
also included for further clarification:
Measurement / Acquisition System:
The system used to acquire loudspeaker data primarily consists of an anechoic
chamber, a two-channel Fast Fourier Transform (FFT)-based data acquisition
system, a measurement microphone, and an automated loudspeaker positioner.
Each of these components has been designed and tested to exceed the highest
quality standards in order to produce the most accurate acoustic measurements
possible.
Placed inside the anechoic chamber, the automated loudspeaker positioner
rotates a loudspeaker with a center of rotation exactly four meters away
from the measurement microphone location. The acquisition computer controls
the movement of the positioner and obtains sixteen five-millisecond time
records, sampled at 50 kHz, at each measurement location. For these examples,
measurements were obtained at each degree and a random pink noise excitation
was used to stimulate the loudspeaker under test. Each five-millisecond
dataset is recursively convolved using the McClellan-Parks algorithm
for optimal FIR filters to produce eight successive bands of data with
progressively longer time records, ending with a 640 millisecond time
record for the lowest band. Each of the eight resulting datasets is windowed
using the appropriate length Hanning function, and 256-point FFT's are
performed. Each of these datasets is then used to provide a specific
portion of the frequency spectrum. This algorithm is performed on both
the source and measurement channels to produce a single complex transfer
function. The sixteen resulting complex transfer functions are then vector
averaged to produce the final representative complex transfer function.
This piecewise linear approximation to a constant-Q transform affords
greater than 1/36th octave resolution from 80 to 20000 Hz.
The resulting 360x464 complex matrix is then post-processed to produce
polar plots, pressure responses, visualizations and lower resolution
representations.
Loudspeaker data for EASE was derived by integrating these high-resolution
frequency responses on a per 1/1 octave basis, in order to obtain an
estimate of single octave SPL using equal energy per octave weighted
noise (pink noise). The mathematical constructs of this technique are
detailed as follows:
The complex acoustic pressure will be represented by
Equation 1
-
Where ^ denotes a complex variable, ppk is the real
peak amplitude, is
a phase constant and j is the square root of -1. Applying Parseval's Theorem
to a single point in a three-dimensional sound field:
Equation 2
| Estimated Total Sound Pressure
= |
 |
Since p(f) is a complex function, it can be represented by the sum of
two real functions, a and b:
Equation 3
-
Equation 4
-
Equation 5
-
We are interested in an estimate of the sound pressure in a specified frequency
band. Therefore, equation 2 becomes
Equation 6
| Estimated Total Sound Pressure
= |
|
To integrate over non-equally spaced elements, the Trapezoidal Rule is applied
Equation 7
Equation 7 provides an estimate of sound pressure if white noise was
used to drive the speaker. The integration must be weighted by 1/f to obtain
the sound pressure that corresponds to driving the speaker with a pink noise
source (equal energy per octave):
Equation 8
| Estimated Total Sound Pressure
from Pink Noise = |
|
The final mathematical expression for a band estimate of sound pressure from
a high resolution, piecewise linearly spaced frequency response using trapezoidal
rule integration is:
Equation 9
This algorithm is utilized to produce the high-resolution prediction of octave-band
sound pressure levels shown in this document.
In order to confirm the validity of this approximation scheme, a series of
tests were performed. Figure 10 shows
the results of one of these tests. Again, measurements were performed in an
anechoic chamber. A B&K 2660 Investigator (SPL meter) was used along with
a B&K 1405 Noise Generator (set to pink noise) to produce the measured
octave-band SPL plots. The algorithm described previously in this appendix
was used to produce the calculated octave-band SPL plots.
For this example, both of these measurement methods were used to produce
on-axis and 30-degree below vertical axis comparisons, as depicted in figure
10. Across the entire spectrum, at both angles and regardless of relative level,
the discrepancy between the measured and calculate octave-band sound pressure
levels is shown to be less than 2 dB. This calculated method has been used
to produce all of the low-resolution EASE datasets.
REFERENCES / FURTHER READING:
- F. Seidel and H. Staffeldt. AES Information Document for Room Acoustics
and Sound Reinforcement Systems - Loudspeaker Modeling and Measurement -
Frequency and Angular Resolution for Measuring, Presenting, and Predicting
Loudspeaker Polar Data (AES-5id-1997). Journal of the Audio Engineering Society,
46(3):195-216, 1998.
- Pierce. Acoustics: An Introduction to its physical principles and Applications.
American Institute of Physics for the Acoustical Society of America, Woodbury,
NY, 1991.
- Leo L. Beranek. Acoustics. American Institute of Physics for the
Acoustical Society of America, New York, NY, 1986.
- ANSI. Specification for Octave-Band and Fractional Octave-Band
Analog and Digital Filters. American National Standards Institute
ANSI, Acoustical Society of America, 1986. ANSI S1.11- 1986,
ASA 65-1986.
- ANSI. Acoustical Terminology. American National
Standards Institute ANSI, Acoustical Society
of America, 1994. ANSI S1.1-1994, ASA 111-1994.
- John Meyer.
Precision Transfer
Function Measurements
Using Program
Material as
the Excitation
Signal. Proceedings
of the AES
11th International
Conference,
Audio Test
and Measurement,
1992, Audio
Engineering
Society.
- William
Press,
et
al.
Numerical
Recipies
-
The
Art
of
Scientific
Computing.
Cambridge
University
Press,
Cambridge,
1988.
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